It's great when you play to an audience that knows the words to all your songs, and sings them back to you.
Chris CornellRead
A true musician, like Johnny Cash, should be able to walk into a room with nothing but an instrument and capture people's attention for two hours.
Interpretation
A great musician can engage and mesmerize an audience purely through their talent and presence.
This quote by Chris Cornell emphasizes the notion that a true musician possesses the ability to captivate an audience solely with their skill and sincerity, regardless of the surroundings or additional elements. It illustrates the intrinsic power of music and the artist's connection to their audience, highlighting the essence of performance as an art form that transcends mere entertainment.
In practice
During a speech on the impact of music at a local community event.
It's great when you play to an audience that knows the words to all your songs, and sings them back to you.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
When you become a parent, you leave a lot of things behind and refocus, maybe on how simple life really is and what few things there really are to worry about. And everything else can go by the wayside.
Being solo really lends itself to different interpretations - and everything is in the moment and on a whim. I never realised how far out you can go when you are by yourself.
There's something about losing friends, particularly young people, where it's not something that you get over. I don't believe there's a healing process.
I've always liked depressing music because a lot of times, listening to it when you're down can actually make you feel less depressed. Also, even though a person may have problems with depression, sometimes you can actually be kind of comfortable in that space because you know how to operate within it.
I cannot conceive of music that expresses absolutely nothing.
Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
I started under my master, Etienne Decroux, who taught me a new grammar for mime he called statuary mime. This grammar brings style creations. Without it, no art survives.
The radio makes hideous sounds.
For me the initial delight is in the surprise of remembering something I didn't know I knew. I have never started a poem yet whose end I knew.
A poet must be a psychologist, but a secret one: he should know and feel the roots of phenomena but present only the phenomena themselves in full bloom or as they fade away.
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