A mime is a terrible thing to waste.
Marcel MarceauRead
I started under my master, Etienne Decroux, who taught me a new grammar for mime he called statuary mime. This grammar brings style creations. Without it, no art survives.
Interpretation
This quote emphasizes the importance of foundational techniques in the arts, specifically in mime, to ensure artistic expression and survival.
Marcel Marceau highlights the significance of mastering fundamental techniques and stylesβin this case, 'statuary mime'βas essential for any artistic endeavor to thrive. He credits his mentor, Etienne Decroux, for teaching him this grammar, suggesting that without a strong foundation, art cannot endure or develop in meaningful ways.
In practice
In a speech about the importance of training in the arts.
A mime is a terrible thing to waste.
In a clown, we see what we do that makes us laugh and cry. I kept the white face, the tradition of the Pierrot. My clown became a romantic and stylized figure. I wanted to be an abstract and concrete figure, a symbol of humanity.
Mime makes the invisible, visible and the visible, invisible.
I am a company in myself. My repertoire has become a bible for all mimes in the world.
When you're in a play, 50 percent is the genius of the actor, 50 percent is the genius of the author. When a mime is not perfect, you see nothing.
Music and silence combine strongly because music is done with silence, and silence is full of music.
So I try to re-invent my own eye every time I tackle a new subject. But it's hard, because everybody has style. You can't help it.
Drama is real life with all the boring parts cut out.
So here I stand before you preaching organic architecture: declaring organic architecture to be the modern ideal and the teaching so much needed if we are to see the whole of life, and to now serve the whole of life, holding no traditions essential to the great TRADITION. Nor cherishing any preconceived form fixing upon us either past, present or future, but-instead-exalting the simple laws of common sense-or of super-sense if you prefer-determining form by way of the nature of materials.
There's something inimical about the camera and song.
Any artist should be grateful for a naive grace which puts him beyond the need to reason elaborately.
Could a man live by it, it were not unpleasant employment to be a poet.
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