Tonight, tonight, won't be just any night. Tonight there will be no morning star.
Stephen SondheimRead
There's something inimical about the camera and song.
Interpretation
This quote suggests that the camera and song have conflicting natures that do not harmonize well together.
Stephen Sondheim's quote reflects the tension that can exist between visual and auditory storytelling. While both mediums can convey emotions and narratives, the camera captures a static moment, whereas song expresses fluid, emotional experiences. This dichotomy may imply that each art form has its unique strengths and limitations, and combining them can sometimes disrupt their individual impacts.
In practice
In a film class, when discussing the challenges of integrating music and visuals.
Tonight, tonight, won't be just any night. Tonight there will be no morning star.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Musical comedies aren't written, they are rewritten.
Let Pirelli's / Miracle Elixir / Activate your roots, sir... Keep it off your boots, sir- / Eats right through. Yes, get Pirelli's! / Use a bottle of it! / Ladies seem to love it... Flies do, too!
Art, in itself, is an attempt to bring order out of chaos.
Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
Actors search for rejection. If they don't get it they reject themselves.
In writing, I apply my feminine side and respect the mystery involved in creation.
Elegance is not an outer quality, but a part of the soul that is visible to others.
Superheroes are best imagined in comic books. The union between the written word, the image, and then what your imagination has to do to connect those allows for so much.
When I was younger, I felt it was my duty to wake people up. I thought poetry was asleep. I thought rock 'n' roll was asleep.
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
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