Music isn't about music, it's about life.
Herbie HancockRead
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
Interpretation
Jazz embodies freedom and speaks to the universal human experience despite its specific cultural origins.
In this quote, Herbie Hancock emphasizes that jazz music transcends its African American roots, encapsulating a broader message of freedom and openness. He suggests that while it originates from a particular culture, the essence of jazz conveys universal themes that resonate with the entire human experience, highlighting the power of music to connect people across different backgrounds.
In practice
In a speech about cultural diversity at a music festival, one might quote Hancock to emphasize the unifying power of jazz.
Music isn't about music, it's about life.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
In World War II, jazz absolutely was the music of freedom, and then in the Cold War, behind the Iron Curtain, same thing. It was all underground, but they needed the food of freedom that jazz offered.
I think people have learned that Herbie Hancock can be defined as someone that you won't be able to figure out what he's going to do next. The sky is the limit as far as I'm concerned.
I started off with classical music, and I got into jazz when I was about 14 years old. And I've been playing jazz ever since.
It's easy to get sidetracked with technology, and that is the danger, but ultimately you have to see what works with the music and what doesn't. In a lot of cases, less is more. In most cases, less is more.
I don't care where the Cure is placed in the pantheon of rock. I don't care if we're perceived as relevant. We're never worried how we fit in. I don't even want to fit in.
I think they saw me as something like a deliverer, a way out. My means of expression, my music, was a way in which a lot of people wished they could express themselves and couldn't.
You want to meet a bunch of really friendly people? Go to a Slayer concert. There'll be some real psychos there, but most of those people will take care of each other.
My greatest teacher was not a vocal coach, not the work of other singers, but the way Tommy Dorsey breathed and phrased on the trombone.
Playing live is what it's all about for me. It's cathartic, it's emotional, it's about communing with people. The way you feel after a gig is a such a powerful thing.
I think the problem with people, as they start to mature, they say, 'Rap is a young man's game,' and they keep trying to make young songs. But you don't know the slang - it changes every day, and you're just visiting. So you're trying to be something you're not, and the audience doesn't buy into that.
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