Playing live is what it's all about for me. It's cathartic, it's emotional, it's about communing with people. The way you feel after a gig is a such a powerful thing.
Interpretation
Performing live music is an essential experience that connects the artist with the audience.
Paul Weller emphasizes the profound and emotional connection that live performances create between the artist and the audience. He describes the experience as cathartic, highlighting how it allows for an expression of emotions and a shared communal experience that leaves a lasting impact on both parties, making the aftermath of a show incredibly powerful.
In practice
Use this quote during a speech about the importance of live music in fostering community.
I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.
When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
If you're making music, you must want to turn other people on to it, whether you're number one in the charts or number 60. I don't know, that's a commercial thing, but just the fact that other people like you... there's no point in making music, otherwise. Otherwise, you might as well make it in your bedroom and leave it there.
I'd like to think I've left something in the world. Without in any way trying to be morbid, but life is very short, and I'd like to think I'd leave some body of work that would inspire other musicians long after I've gone.
It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.
When you start your first band and it has an impact on the rest of the world you go through a lot with those guys and you become very protective of that legacy.
I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
The future of rock belongs to women.
There's a reason why the Foo Fighters don't blast out Nirvana songs every night: because we have a lot of respect for them. You know, that's hallowed ground. We have to be careful. We have to tread lightly. We have talked about it before, but the opportunity hasn't really come up, or it just hasn't felt right.
I grew up with the Grand Ole Opry, Dottie West, Conway Twitty, Buck Owens... not realizing it was influencing me as much as it was.
People don't want rap to be anything other than it is. But genres expand. My contributions, no matter how they sound, will always be rap, because they'll always be black.
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