I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Dr. DreRead
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
Interpretation
Embracing diverse musical influences, regardless of their origin, is celebrated in L.A. culture.
Dr. Dre highlights the inclusive nature of Los Angeles's music scene, where the quality of music takes precedence over its geographical roots. This perspective promotes a culture of openness and appreciation for various musical styles, encouraging artists and listeners to connect through the universal language of music, irrespective of its source.
In practice
In a speech at a music festival celebrating multicultural influences.
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
I'm never gonna stop music, it's like air to me.
And even when I was close to defeat, I rose to my feet.
I just make the music feel the way I want it to feel, and I don't put it out until I'm totally happy with it.
If You can play Your stuff in a pub, then YouΒ΄re a good band.
When you sing, you pray twice.
I think my biggest musical hero growing up was probably Ian MacKaye. He set a great example for all of us local musicians. Still, to this day, I see him as the best example of a right-on musician.
Bach takes you to a very quiet place within yourself, to the inner core, a place where you are calm and at peace.
Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
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