I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
Dr. DreRead
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
Interpretation
Collaboration and mutual belief in talent can lead to achieving shared goals.
In this quote, Dr. Dre reflects on the importance of support from others in one’s journey, highlighting Eazy-E's belief in his talent and their shared commitment to creating great music despite their frequent arguments. The quote emphasizes the value of collaboration, differing perspectives, and ultimately, the common objective that unites individuals towards success.
In practice
In a speech at a music industry event, this quote can be used to discuss the importance of collaboration.
I don't take any shorts. I don't say, 'Okay, it's good enough.' I try to get exactly what I'm hearing in my head to the tape, and I won't let it move until then.
In L.A., we listen to everything. If it's banging, it's banging - we don't care where it's from.
No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.
I'm never gonna stop music, it's like air to me.
And even when I was close to defeat, I rose to my feet.
I just make the music feel the way I want it to feel, and I don't put it out until I'm totally happy with it.
When I started playing music, people weren't selling 5 million records. That was not the standard; that was not the focus.
I started imagining this whole different world. It was a society of musicians, a family I hoped I could belong to one day.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
Playing live is what it's all about for me. It's cathartic, it's emotional, it's about communing with people. The way you feel after a gig is a such a powerful thing.
The easiest way to avoid wrong notes is to never open your mouth and sing. What a mistake that would be.
As a kid, on the cotton fields, I had this tune in my head. I hummed it and sang it. It was the same melody as 'When A Man Loves A Woman.' I could never, ever forget it.
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