In other words, let's give our young women the right weapons to fight with as they charge naked into battle, instead of ordering them to get back in the house and put some goddamn clothes on.
Amanda PalmerRead
I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
Interpretation
The quote emphasizes a shift in perspective about music monetization, encouraging a focus on how to facilitate payment rather than forcing it.
Amanda Palmer challenges the common mindset surrounding the music industry by suggesting that instead of fixating on how to make people pay for music, we should consider how to enable and encourage them to support musicians. This perspective fosters a more positive approach to artist remuneration, promoting an environment where artists can thrive through supported communities rather than transactional obligations.
In practice
During a music industry conference to inspire change in artist compensation.
In other words, let's give our young women the right weapons to fight with as they charge naked into battle, instead of ordering them to get back in the house and put some goddamn clothes on.
There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business - live concerts.
If all I do in my life is soothe someone's spirit with a song , then let me do that and I'm happy.
That song didn't just happen. It grew out of my experiences. 'American Pie' was part of my process of self-awakening: a mystical trip into my past.
I've been getting interested in reimagining folk songs and writing songs that should have existed but didn't, particularly around the Civil War when black voices were muted and only allowed particular channels.
When you sing, you pray twice.
I'm going to be singing Dreams and Rhiannon when I'm 75 - and that's just fine with me. I just hope my chiffon doesn't get tangled in my rocking chair.
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