In other words, let's give our young women the right weapons to fight with as they charge naked into battle, instead of ordering them to get back in the house and put some goddamn clothes on.
Amanda PalmerRead
I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
Interpretation
The quote emphasizes a shift in perspective about music monetization, encouraging a focus on how to facilitate payment rather than forcing it.
Amanda Palmer challenges the common mindset surrounding the music industry by suggesting that instead of fixating on how to make people pay for music, we should consider how to enable and encourage them to support musicians. This perspective fosters a more positive approach to artist remuneration, promoting an environment where artists can thrive through supported communities rather than transactional obligations.
In practice
During a music industry conference to inspire change in artist compensation.
In other words, let's give our young women the right weapons to fight with as they charge naked into battle, instead of ordering them to get back in the house and put some goddamn clothes on.
There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
'When Doves Cry' came out - it sounded like nothing that was on the radio. 'Let's Go Crazy' was number one on R&B stations, and there's nothing that's been like that on radio since.
Technically, I'm not a guitar player, all I play is truth and emotion.
I didn't want to disrespect my parents, so I never played blues around the house. But I knew then, same as I know today, that I wasn't doing anything wrong. I think that before they died, they both felt very proud of me.
One of the reasons I believe in jazz is that the oneness of man can come through the rhythm of your heart. It’s the same anyplace in the world, that heartbeat. It’s the first thing you hear when you’re born — or before you’re born — and it’s the last thing you hear.
Sometimes I wish I had taken the Bob Dylan route and sang songs where my voice would not go out on me every night, so I could have a career if I wanted.
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