In other words, let's give our young women the right weapons to fight with as they charge naked into battle, instead of ordering them to get back in the house and put some goddamn clothes on.
Amanda PalmerRead
I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
Interpretation
The quote emphasizes a shift in perspective about music monetization, encouraging a focus on how to facilitate payment rather than forcing it.
Amanda Palmer challenges the common mindset surrounding the music industry by suggesting that instead of fixating on how to make people pay for music, we should consider how to enable and encourage them to support musicians. This perspective fosters a more positive approach to artist remuneration, promoting an environment where artists can thrive through supported communities rather than transactional obligations.
In practice
During a music industry conference to inspire change in artist compensation.
In other words, let's give our young women the right weapons to fight with as they charge naked into battle, instead of ordering them to get back in the house and put some goddamn clothes on.
There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.
A great song can make a terrible singer sound good, but a good singer - you put a great song on top of that, you're really in great shape!
I never listen to the radio to keep up with current trends.
The rock & roll industry is very incestuous, and we have all been close at one time or another. A lot of beautiful music and a lot of beautiful times came from that. A lot of pain, too, because, inevitably, different relationships broke up.
There was this moment when we made 'Superunknown': the Seattle music scene had suddenly ended up on an international stage with huge success.
This has not changed: always like the first time, very, very nervous. But when the music begins, you are in the music, it's a sort of transformation. Your feeling for the music is greater and has nothing to do with your nerves. You go out of yourself.
When you watch your favorite guitarists play, notice how little their hands and fingers move sometimes. The economy of motion can't be overemphasized.
Subscribe for the occasional hand-picked quote. No noise.