It's great when you play to an audience that knows the words to all your songs, and sings them back to you.
There was this moment when we made 'Superunknown': the Seattle music scene had suddenly ended up on an international stage with huge success.
Interpretation
What this quote means
This quote reflects a pivotal moment in music history when the Seattle music scene gained worldwide recognition.
Chris Cornell captures a significant turning point in the music landscape with the creation of 'Superunknown', highlighting the Seattle music scene's emergence as a powerful and influential force in the industry. This moment not only marked a personal achievement for the artists involved but also showcased how cultural movements could shift into the global spotlight, emphasizing the interconnectedness of local scenes and worldwide success.
Themes
In practice
Example use cases
In a documentary about the Seattle music scene, you might quote Chris Cornell to illustrate the global impact of local music.
More from Chris Cornell
All quotes βTo me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
When you become a parent, you leave a lot of things behind and refocus, maybe on how simple life really is and what few things there really are to worry about. And everything else can go by the wayside.
Being solo really lends itself to different interpretations - and everything is in the moment and on a whim. I never realised how far out you can go when you are by yourself.
A true musician, like Johnny Cash, should be able to walk into a room with nothing but an instrument and capture people's attention for two hours.
There's something about losing friends, particularly young people, where it's not something that you get over. I don't believe there's a healing process.
Similar quotes
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
I used to think that, given enough goodwill, anybody would be able to 'get' any music, no matter how distant the culture from which it came. And then I heard Chinese opera.
If you come from Africa with your economic poverty and your cultural riches, and you meet someone like Peter Gabriel or a person from a big record company, and they tell you that what you are doing is marvelous, that makes you feel powerful.
I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me - it resonated.
You can go out and find ways to make your own record and get it out there now. If you really want to, you can be heard. Keep things simple. Learn to go out and play solo. That's a really really good thing to learn, if you're a singer-songwriter. Don't be dependent on a band because you may not always be able to afford one.
A lot of people don't realise I came out of the Smoky Mountains with a load of songs.