Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
What are American dry-goods? asked the duchess, raising her large hands in wonder and accentuating the verb. American novels, answered Lord Henry.
Interpretation
The quote reflects on the perception and value of American literature through a sarcastic lens.
In this exchange between the Duchess and Lord Henry, Oscar Wilde cleverly compares American novels to dry-goods, suggesting that they are considered commonplace or lacking in depth. This indicates a critique of American literature's perceived quality and artistic merit in contrast to other literary traditions, showcasing Wilde's wit and his views on cultural production.
In practice
In a literature class discussing American novels, this quote can illustrate differing opinions on their artistic value.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
In the NUDE, all that is not beautiful is obscene.
An artist is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artist takes it personally.
The complete novelist would come into the world with a catalog of qualities like this. He would own the concentration of a Trappist monk, the organizational ability of a Prussian field marshal, the insight into human relations of a Viennese psychologist, the discipline of a man who prints the Lord's Prayer on the head of a pin, the exquisite sense of timing of an Olympic gymnast, and by the way, a natural instinct and flair for exceptional use of language.
The rules or 'laws' of poetry are only tentative devices, an approximate scheme. There is no Sinaitic recipe for poetry, for the individual poem is the norm.
The job of a storyteller is to speak the truth. But what we feel most deeply canβt be spoken in words alone. At this level, only images connect. And here, story becomes symbol; symbol is myth. And myth is truth.
I'd say almost that words come first, melody second.
Subscribe for the occasional hand-picked quote. No noise.