i laced my shoes with sorrow and walked a weary road dead end streets don't come undone with double knots wing tipped shoes that walk on air through vacant lots
Saul WilliamsRead
What's wrong with hip-hop is the system that controls the definition of it. There needs to be more balance on the airwaves.
Interpretation
The quote highlights the issues within the hip-hop industry regarding control and representation.
Saul Williams emphasizes that the true essence of hip-hop is often overshadowed by the prevailing systems that dictate its narrative and accessibility. He calls for a more equitable representation in the media, suggesting that a diverse range of voices and styles should be allowed to flourish in hip-hop culture, thereby enriching the genre as a whole.
In practice
In a speech about music's impact, one could include this quote to point out the need for diverse voices in hip-hop.
i laced my shoes with sorrow and walked a weary road dead end streets don't come undone with double knots wing tipped shoes that walk on air through vacant lots
There is no music more powerful than hip-hop. No other music so purely demands an instant affirmative on such a global scale. When the beat drops, people nod their heads, βyes,β in the same way that they would in conversation with a loved one, a parent, professor, or minister.
Have you ever lost yourself in a kiss? I mean pure psychedelic inebriation. Not just lustful petting but transcendental metamorphosis when you became aware that the greatness of this being was breathing into you. Licking the sides and corners of your mouth, like sealing a thousand fleshy envelopes filled with the essence of your passionate being and then opened by the same mouth and delivered back to you, over and over again - the first kiss of the rest of your life.
We are unraveling our navels so that we may ingest the sun. We are not afraid of the darkness. We trust that the moon shall guide us. We are determining the future at this very moment. We know that the heart is the philosopher's stone. Our music is our alchemy.
Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
A lie preserved in stained glass doesn't make it more true.
I believe in plot, in development of character, in the effect of the passage of time, in a good story - better than something you might find in the newspaper. And I believe a novel should be as complicated and involved as you're capable of making it.
Weirdly enough, if I'm having trouble with a guitar part - not the playing of it but the writing - I'll mess around with echo and other effects, just turn everything up and make it as crazy as can be, and it winds up taking me somewhere. I've found so many guitar parts from echo. It's limitless.
I think there's a kind of desperate hope built into poetry that one really wants, hopelessly, to save the world. One is trying to say everything that can be said for the things that one loves while there's still time.
Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?
My Advice to Young Filmmakers is This: Don't Follow Trends. Start Them!
I will begin with what in my opinion is your lack of restraint. You are like a spectator in a theatre who expresses his enthusiasm so unrestrainedly that he prevents himself and others from hearing. That lack of restraint is particularly noticeable in the descriptions of nature with which you interrupt dialogues; when one reads them, these descriptions, one wishes they were more compact, shorter, say two or three lines.
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