If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
Anton ChekhovRead
I will begin with what in my opinion is your lack of restraint. You are like a spectator in a theatre who expresses his enthusiasm so unrestrainedly that he prevents himself and others from hearing. That lack of restraint is particularly noticeable in the descriptions of nature with which you interrupt dialogues; when one reads them, these descriptions, one wishes they were more compact, shorter, say two or three lines.
Interpretation
What this quote means
The quote criticizes excessive emotional expression that distracts from the main point, especially in discussions about nature.
In this quote, Chekhov highlights how a lack of restraint can detract from meaningful communication, particularly in artistic or literary contexts. He uses the metaphor of an enthusiastic spectator in a theatre to illustrate how unbridled enthusiasm can overshadow the essence of what should be conveyed, suggesting that more concise expressions, especially when describing nature, would enhance clarity and engagement.
Themes
RestraintCommunicationNatureEnthusiasmBrevity
In practice
Example use cases
In a writing workshop, to emphasize the importance of concise descriptions, one might quote Chekhov.
More from Anton Chekhov
All quotes →There are still many more days of failure ahead, whole seasons of failure, things will go terribly wrong, you will have huge disappointments , but you have to prepare for that, you have to expect it and be resolute and follow your own path.
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To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
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When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
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Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
Anton ChekhovRead
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