If you choose not to decide, you still have made a choice.
Neil PeartRead
I want to be an improviser, and I've worked very hard at that. It's an art. You don't just play whatever comes into your head; you have to be very deliberate about what you do.
Interpretation
Improvisation is a skill that requires intentionality and dedication to master.
In this quote, Neil Peart emphasizes the artistry involved in improvisation, which is often mistaken for spontaneity. He highlights that true improvisation is not merely about unplanned expression, but rather a thoughtful process that demands hard work and deliberate choices by the performer.
In practice
This quote could inspire musicians at a workshop on creative expression.
If you choose not to decide, you still have made a choice.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
I feel like for me to write songs that I would be interested in as a listener, there has to be tension, and there has to be some kind of push and pull between reality and the potential of disaster.
That's another way of writing a song, of course. Just talking to somebody that ain't there. That's the best way. That's the truest way. Then it just becomes a question of how heroic your speech is. To me, it's something to strive after.
I sometimes think there is nothing so delightful as drawing.
Gangsta Rap is dead. I've moved on. And the raps that I'm rappin to my community shouldn't be filled with rage? They shouldn't be filled with same attrocities that they gave me? The media they don't talk about it, so in my raps I have to talk about it, and it seems foreign because there's no one else talking about it.
It's a cliche, but true, that writing is intensely solitary and at times really lonely. I sit in one room and talk to squirrels and blue jays all day.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
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