If you choose not to decide, you still have made a choice.
Neil PeartRead
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
Interpretation
A musician's true skill is revealed during live performances, not just in studio recordings.
Neil Peart emphasizes that the essence of being a musician lies in the ability to perform live in front of an audience. While mastering the technical aspects of music in a controlled studio environment is important, the real connection with the art is forged in the spontaneity and energy of live shows, which is what fuels the passion for touring.
In practice
This quote could be used during a speech at a music festival to inspire upcoming artists.
If you choose not to decide, you still have made a choice.
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
Half the world hates What half the world does every day Half the world waits While half gets on with it anyway
The construction of Europe is an art. It is the art of the possible.
I can’t write five words but that I change seven.
Painting is an infinitely minute part of my personality.
The object of poetic activity is essentially language: whatever his beliefs and convictions, the poet is more concerned with words than with what these words designate.
Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.
An artist must forget painting when he paints. That's the only way he will do original work.
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