I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
Michelangelo AntonioniRead
I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.
Interpretation
The quote reflects the idea of breaking away from traditional norms in creative expression.
Michelangelo Antonioni's quote emphasizes the evolution of artistic freedom whereby directors and artists progressively challenge and disregard established rules. This shift indicates a growing acceptance of personal interpretation and creativity, allowing for a more authentic and innovative approach to art and filmmaking.
In practice
During a film festival discussion, a director quoted Antonioni to inspire fellow filmmakers to embrace their creative liberties.
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
All the characters in my films are fighting these problems, needing freedom, trying to find a way to cut themselves loose, but failing to rid themselves of conscience, a sense of sin, the whole bag of tricks.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
We live in a society that compels us to go on using these concepts, and we no longer know what they mean.
I am neither a sociologist nor a politician. All I can do is imagine for myself what the future will be like.
Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.
As film makers or any artiste that put work out there, what you are doing on your level is that you are putting consciousness out into the world.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
If I weren't a Jew then I wouldn't be an artist, or at least not the one I am now.
The real joy is in constructing a sentence. But I see myself as an actor first because writing is what you do when you are ready and acting is what you do when someone else is ready.
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