I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
Michelangelo AntonioniRead
Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.
Interpretation
The quote emphasizes the significance of the environment in shaping the interactions between characters in a scene.
Michelangelo Antonioni highlights the critical relationship between actors and their surroundings in cinematic storytelling. He believes that the context of the environment is essential, as it influences the dynamics and authenticity of human interactions, making it a vital aspect of visual storytelling.
In practice
Mention this quote during a film discussion to emphasize the importance of setting in movies.
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
All the characters in my films are fighting these problems, needing freedom, trying to find a way to cut themselves loose, but failing to rid themselves of conscience, a sense of sin, the whole bag of tricks.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
We live in a society that compels us to go on using these concepts, and we no longer know what they mean.
I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.
I am neither a sociologist nor a politician. All I can do is imagine for myself what the future will be like.
It was as though we were a picture, trapped in time: this had been happening for hundreds of years, people sitting in a room, waiting for dinner, and listening to the blues.
The world of a comic strip ought to be a special place with its own logic and life... I don't want the issue of Hobbes's reality settled by a doll manufacturer.
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
First you have nothing, and then, astonishingly, after ripping out your brain and your heart and betraying your friends and ex-lovers and dreaming like a zombie over the page till you can't see or hear or smell or taste, you have something.
I am writing for myself and strangers. This is the only way that I can do it. Everybody is a real one to me, everybody is like some one else too to me. No one of them that I know can want_x000D_ to know it and so I write for myself and strangers.
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.
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