If you choose not to decide, you still have made a choice.
Neil PeartRead
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
Interpretation
Performing live requires more than just talent; it demands a strong will and the ability to manage pressure.
In this quote, Neil Peart emphasizes the difference between practicing in solitude and performing in front of an audience. He highlights that while a musician might feel confident in private, the live setting introduces a layer of psychological challenge that tests one's determination and ability to connect with an audience, thereby elevating the performance experience.
In practice
This quote could inspire musicians before a big concert.
If you choose not to decide, you still have made a choice.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
Half the world hates What half the world does every day Half the world waits While half gets on with it anyway
It is comforting that travel should have an architecture, and that it is possible to contribute a few stones to it, although the traveller is less like one who constructs landscapes -- for that is a sedentary task -- than like one who destroys them. . . . But even destruction is a form of architecture, a deconstruction that follows certain rules and calculations, an art of disassembling and reassembling, or of creating another and different order.
In the end, fiction is the craft of telling truth through lies.
I think songwriting is the ultimate form of being able to make anything that happens in your life productive.
Men can absent themselves from real life for their art more easily. Women are anchored into the quotidian business of getting food on the table, making sure everybody's socks match, the soccer gear is ready. I admire idealists, but they're usually enabled by someone who holds the tether on their balloon, who pays the bills and sweeps up after them.
In art, at a certain level, there is no 'better than.' It's just about trying to operate for yourself on the most supreme level, artistically, that you can and hoping that people get it.
My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience. I never know who's influencing me at any time.
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