If you choose not to decide, you still have made a choice.
Neil PeartRead
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
Interpretation
Performing live requires more than just talent; it demands a strong will and the ability to manage pressure.
In this quote, Neil Peart emphasizes the difference between practicing in solitude and performing in front of an audience. He highlights that while a musician might feel confident in private, the live setting introduces a layer of psychological challenge that tests one's determination and ability to connect with an audience, thereby elevating the performance experience.
In practice
This quote could inspire musicians before a big concert.
If you choose not to decide, you still have made a choice.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
Half the world hates What half the world does every day Half the world waits While half gets on with it anyway
I think of myself in the oral tradition-as a troubadour, a village tale-teller, _x000D_ the man in the shadows of the campfire. That's the way I'd like to be remembered-_x000D_ as a storyteller. A good storyteller.
To a degree, the Greek and Roman mythological heroes are just the first superheroes. They appeal to children for much the same reason. These gods and heroes may have powers, but they get angry and they do the wrong thing. They are human too.
I don't like to make strong statements. I want to write strong novels... I keep my deep, radical things for my novels.
If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless. If such things have not been part of your own experience, you probably won't understand what Bastian did next.
Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
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