My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
Painting is not made to decorate apartments. It's an offensive and defensive weapon against the enemy. (about Guernica).
Interpretation
This quote suggests that art, specifically painting, serves a greater purpose than mere decoration; it can evoke powerful emotions and provoke thought.
Pablo Picasso emphasizes that art is not just for beautifying spaces but can also be a means of expression and resistance. In the context of his work 'Guernica,' he highlights how paintings can act as tools to confront societal injustices and reflect on human struggles, turning the canvas into a battleground for ideas and sentiments.
In practice
In a lecture about the impact of art during political upheavals, you could use this quote to illustrate how some artworks aim to challenge societal norms.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
I sit in the dark and wait for a little flame to appear at the end of my pencil.
It is the task of the translator to release in his own language that pure language that is under the spell of another, to liberate the language imprisoned in a work in his re-creation of that work.
It's an artist's duty to reflect the times in which we live.
When I stand and contemplate my fate and see the path along which you have led me, I reach my end, for artless I surrendered to one who is my undoing and my end.
We need to take music out of the ivory tower - both for musicians and for the public. Otherwise, classical music will not survive the 21st century.
The poet, therefore, is truly the thief of fire. He is responsible for humanity, for animals even; he will have to make sure his visions can be smelled, fondled, listened to; if what he brings back from beyond has form, he gives it form; if it has none, he gives it none. A language must be foundβ¦of the soul, for the soul and will include everything: perfumes, sounds colors, thought grappling with thought
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