It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
Interpretation
What this quote means
The quote emphasizes the profound impact of our surroundings, particularly architecture and decor, on our emotions and sense of purpose.
In this quote, Alain De Botton reflects on the intricate relationship between architecture and human experience, suggesting that our physical environment significantly influences our mental state and priorities. By acknowledging our vulnerability to seemingly trivial elements like wallpaper or bedspreads, he highlights the importance of being aware of how our surroundings can shape our lives and perspectives.
Themes
In practice
Example use cases
In a discussion about home decor, one might say this quote to illustrate how important our surroundings are to our well-being.
More from Alain De Botton
All quotes →The more closely we analyze what we consider 'sexy,' the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
Good books put a finger on emotions that are deeply our own - but that we could never have described on our own.
The challenge of modern relationships: how to prove more interesting than the other's smartphone.
It is the most ambitious and driven among us who are the most sorely in need of having our reckless hopes dampened through immersive dousings in the darkness which religions have explored. This is a particular priority for secular Americans, perhaps the most anxious and disappointed people on earth, for their nation infuses them with the most extreme hopes about what they may be able to achieve in their working lives and relationships.
Though debts are condemned in the financial world, the world of friendship and love may perversely depend on well-managed debts.
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I'm more interested in melodic things. I think the biggest challenge when you go to play a solo is trying to invent a melody on the spot.
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The object, which is back of every true work of art, is the attainment of a state of being, a state of high functioning, a more than ordinary moment of existence. In such moments activity is inevitable, and whether this activity is with brush, pen, chisel, or tongue, its result is but a by-product of the state, a trace, the footprint of the state.