I wanted to deal with light directly rather than with paint.
James TurrellRead
I am involved in the architecture of space.
Interpretation
This quote emphasizes the importance of spatial design and the experience of space.
James Turrell's quote highlights his role as an artist who focuses on the interplay between light, space, and perception. By referring to the 'architecture of space,' he suggests that creating and shaping our experience of physical environments is a fundamental aspect of his artistic vision, encouraging viewers to engage with and reflect upon the spaces they inhabit.
In practice
In a TED talk about spatial design, the speaker quotes Turrell to emphasize the impact of space on our emotions.
I wanted to deal with light directly rather than with paint.
It is only when light is reduced that the pupil opens and feeling goes out of the eyes like touch.
I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
In many cases, if we knew what it would take, we might have thought twice about it, so it's often wonderful that we don't have hindsight.
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, itβs been waiting for you.
Films and hotels have many aspects that are the same. For example, there is always a big vision, an idea.
I consider writing practice a true Zen practice because it all comes back at you. You can't fool anyone because it's on the page.
It's a funny thing about stories. It doesn't feel like you make them up, more like you find them. You type and type and you know you haven't got it yet, because somewhere out there, there's that perfect thing -- the unexpected ending that was always going to happen. That place you've always been heading for, but never expected to go.
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
The mathematical sciences particularly exhibit order symmetry and limitations; and these are the greatest forms of the beautiful.
Real magic can never be made by offering someone else's liver. You must tear out your own, and not expect to get it back.
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