The sun never knew how great it was until it hit the side of a building.
Louis KahnRead
Architecture is the thoughtful making of space
Interpretation
Architecture involves intentional design and creation of spaces that impact human experience.
This quote by Louis Kahn emphasizes the idea that architecture is not merely about constructing buildings but rather about the intentional and reflective process of designing spaces that thoughtfully cater to human needs and experiences. It suggests that genuine architecture goes beyond functionality to create environments that resonate emotionally and culturally with those who inhabit them.
In practice
In a discussion about urban planning at a community meeting.
The sun never knew how great it was until it hit the side of a building.
I sense a Threshold: Light to Silence, Silence to Light - an ambiance of inspiration, in which the desire to be, to express, crosses with the possible Light to Silence, Silence to Light crosses in the sanctuary of art.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
The room is the beginning of architecture.
Architecture is the reaching out for the truth.
The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.
The first among mankind will always be those who make something imperishable out of a sheet of paper, a canvas, a piece of marble, or a few sounds
I know a tree feels it when the wind blows through it. It probably goes, 'Chhhhhh, this is wonderful.' And that's how I feel when I'm singing some songs. It's wonderful.
I never have an intended audience. I just write, you know.
The first long chapter of my career was almost entirely theater so that, by the time I was 30, 35, I sort of knew who I was as an actor, and I was gradually learning who I was as a human being.
I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.
In performance capture roles, it's not a committee of animators that author the role, it's the actor. I think that's a significant thing for people to understand.
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