My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
And I want to rise up, throw my arms open for a vast embrace, address an ample, luminous discourse to the invisible crowds. I would start like this: "O rainbow-colored gods. . .
Interpretation
The quote expresses a desire for creative expression and connection with a larger audience.
In this quote, Vladimir Nabokov highlights a yearning for artistic freedom and the exhilaration of engaging with the world and its unseen joys. The imagery of embracing the 'invisible crowds' signifies a deep desire to connect with the essence of humanity through vibrant and profound discourse, showcasing the transformative power of art and language.
In practice
Using this quote in an art exhibition opening speech to emphasize the connection between the artist and the audience.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
Writing is an act of empathy. You are occupying and understanding a point of view that might be alien to your own--and work is often the keyhole through which you peer.
Writing as writing. Writing as rioting. Writing as righting. _x000D_ On the best days, all three.
Designers don't live in a vacuum; they are not blind to what's going on. They, too, will be inspired by what they see, and that will come out in their work.
Art made tongue-tied by authority.
Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunity didn't necessarily knock every day, is what gave me this sensibility and drove me to explore my fascination with art.
I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
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