My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
And I want to rise up, throw my arms open for a vast embrace, address an ample, luminous discourse to the invisible crowds. I would start like this: "O rainbow-colored gods. . .
Interpretation
The quote expresses a desire for creative expression and connection with a larger audience.
In this quote, Vladimir Nabokov highlights a yearning for artistic freedom and the exhilaration of engaging with the world and its unseen joys. The imagery of embracing the 'invisible crowds' signifies a deep desire to connect with the essence of humanity through vibrant and profound discourse, showcasing the transformative power of art and language.
In practice
Using this quote in an art exhibition opening speech to emphasize the connection between the artist and the audience.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
I really am a theater person. That means you put something out there, and you let it go. Tomorrow night is a new performance.
I'm absolutely removed from the world at such times...The hours go by without my knowing it. Sitting there I'm wandering in countries I can see every detail of - I'm playing a role in the story I'm reading. I actually feel I'm the characters - I live and breath with them.
Being an actor is a religious calling because you've been given the ability, the gift to inspire humanity. Think about that on the way to your soap opera audition.
The vampires have always been metaphors for me. They've always been vehicles through which I can express things I have felt very, very deeply.
I try not to think of myself in any category, and I don't ever really try to imagine myself competing with another actor. I just know I want to do the things that I would want to see, and I know the things that turn me on, whether it's on the stage, or it's a play or a film. I just kind of want to keep doing my own thing.
There is something about riding a unicorn, for those people who still can, which is unlike any other experience: exhilarating, and intoxicating, and fine.
Subscribe for the occasional hand-picked quote. No noise.