I do want to write again. I hope to. But it's also important for me to realize, as I get older, that I don't have to be doing everything all at once.
Andrew Lloyd WebberRead
There's no getting around it: Writing is hard, while working with young performers is nearly always a joy.
Interpretation
Writing can be challenging, but collaborating with young talent is enjoyable.
This quote highlights the contrasting experiences of the creative process of writing, which is often filled with difficulties, and the pleasure derived from working with young performers, who bring energy, enthusiasm, and creativity to the collaborative effort. It suggests that while writing may be a solitary and strenuous task, the act of nurturing and guiding youthful talent offers a rewarding and joyful experience.
In practice
During a writing workshop, I shared this quote to inspire fellow writers about the joys of collaboration.
I do want to write again. I hope to. But it's also important for me to realize, as I get older, that I don't have to be doing everything all at once.
I have always tried with my shows - win, lose, or draw - to take the boundaries of music as far as I can.
The regrets in the theatre have always been the shows that you know ought to have worked but for one reason or another haven't.
Love changes everything. Days are longer, words mean more. Love changes everything. Pain is deeper than before. Love can turn your world around, and that world will last forever.
Nobody ever thinks that the work they're going to do could ever be bigger than the one they do before, especially if you're lucky enough like I had to have such a huge thing as 'Phantom' was.
As a composer at a point where I can absolutely pick and choose what I want to do, I don't want to write about anybody I don't care about.
I want a storm to come and flood us into a song that no one wrote.
If anyone gets in my way when I'm making a picture, I become irrational. I'm never sure what I am going to do, or sometimes even aware of what I do-only that I want that picture.
It's a fundamental, social attitude that the 1% supports symphonies and operas and doesn't support Johnny learning to program hip-hop beats. When I put it like that, it sounds like, 'Well, yeah,' but you start to think, 'Why not, though?' What makes one more valuable than another?
[Six principles that make for a good story:] 1. Absence of lengthy verbiage of a political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality: flee the stereotype; 6. compassion.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
I get so tired of people saying, 'Oh, you only make fantasy films and this and that', and I'm like, 'Well no, fantasy is reality', that's what Lewis Carroll showed in his work.
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