If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
Jhumpa LahiriRead
When I write in Italian - this is just the metaphor that came to me immediately, and I really think this is what it is - I feel like I'm writing with my left hand. Because of that weakness, there is this enormous freedom that comes with it.
Interpretation
The quote expresses the idea that working outside one's comfort zone can lead to unexpected creativity and freedom.
Jhumpa Lahiri compares writing in Italian, a language that is not her primary medium, to writing with her left hand, which symbolizes a sense of constraint yet also an opportunity for creative liberation. The 'weakness' she feels in using a second language allows her to explore new forms of expression without the pressure of perfection that comes with her first language.
In practice
An author could use this quote in a workshop on overcoming writer's block.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
Elmore James only knew one lick, but you had the feeling that he meant it.
When I provided the disembodied arm as the logo for 'The Man With the Golden Arm,' it was the first time an advertising-publicity campaign was based on a single symbol. Until then film companies used a variety of symbols and photographs to cover all bets. The concept of using one logo was mine and Otto Preminger's.
Bad writing is more than a matter of (expletive deleted) syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do to face the fact, let us say, that murderers sometimes help old ladies cross the street.
I enjoy reading about the lives of musicians, and find many similarities in their ideas of preparation and their utter devotion to this great, eternal language: music.
There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
After about three lessons [my] voice teacher said, "Don't take voice lessons. Do it your way. You're a song stylist. Always do it your way."
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