There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
Interpretation
Duane Michals emphasizes the diverse paths photographers can take and the importance of versatility in their careers.
In this quote, Duane Michals contrasts two types of photographers: those who find success in commercial work without having a broader artistic recognition, and those who achieve acclaim in art galleries but struggle in the commercial realm. By stating that he has done 'absolutely everything,' Michals highlights the significance of being multifaceted and adaptable in the photography world, suggesting that true success lies in the ability to thrive in both commercial and artistic environments.
In practice
In a speech about creative careers, you might say, 'As Duane Michals once noted, success can come from embracing both commercial and artistic paths in photography.'
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
Flowers construct the most charming geometries: circles like the sun, ovals, cones, curlicues and a variety of triangular eccentricities, which when viewed with the eye of a magnifying glass seem a Lilliputian frieze of psychedelic silhouettes.
I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways.
A lot of photographers walk around looking for something 'out there,' but I'm very much interested in what's 'in here.'
Photography is essentially an act of recognition by street photographers, not an act of invention. Photographers might respond to an old man’s face, or an Arbus freak, or the way light hits a building—and then they move on. Whereas in all the other art forms, take William Blake, everything that came to that paper never existed before. It’s the idea of alchemy, of making something from nothing.
Words are like gems to me... imagine yourself walking through a very shallow stream and picking up beautiful stones that catch your eye... that's what names are like for me.
The sinews of art and literature, like those of war, are money.
You don't know how much artists go through to make it look so easy. It's all in the practice.
Art is a spirit seeking flesh but finding words.
It's kind of the filmmaker's job to use visual, cinematic language in a way possible to tell a story that reaches and touches as many people as possible.
O why do I ever let anyone read what I write! Every time I have to go through a breakfast with a letter of criticism I swear I will write for my own praise or blame in future. It is a misery.
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