I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
O why do I ever let anyone read what I write! Every time I have to go through a breakfast with a letter of criticism I swear I will write for my own praise or blame in future. It is a misery.
Interpretation
The quote expresses the pain of exposing one's work to criticism, prompting a desire to create solely for oneself.
Virginia Woolf reflects on the emotional turmoil that comes with sharing one's writing. She laments the anguish inflicted by criticism from others, which makes her reconsider the value of seeking external validation. This quote captures the struggle of artists who yearn for praise yet dread the harsh judgment that often accompanies their work.
In practice
This quote can be shared in a writing workshop to inspire participants to embrace their authentic voice.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,” said Louis. “Death and again death.”)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
I thought, 'There are a lot of poets who have the courage to look into the abyss, but there are very few who have the courage to look happiness in the face and write about it,' which is what I wanted to be able to do.
Sometimes I feel as if I am read before I write. When I write a poem about my mother, Palestinians think my mother is a symbol for Palestine. But I write as a poet, and my mother is my mother. She's not a symbol.
It's true that misunderstanding and lack of understanding are often themes in my fiction, but I am grateful for the moments when true understanding is achieved, especially between writer and reader. It's miraculous.
His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself.
We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
The labor into which a heart has poured its whole love--where will it have its say, to excite and inspire, and when?
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