Flowers construct the most charming geometries: circles like the sun, ovals, cones, curlicues and a variety of triangular eccentricities, which when viewed with the eye of a magnifying glass seem a Lilliputian frieze of psychedelic silhouettes.
Interpretation
The quote highlights the intricate and captivating patterns found in flowers, emphasizing their artistic beauty.
Duane Michals' quote reflects on the enchanting geometrical shapes that flowers exhibit, likening them to various forms and structures that can be appreciated when examined closely. Through the lens of a magnifying glass, the flowers' intricate details reveal a surreal tapestry of shapes and colors, transforming the ordinary into an extraordinary visual experience that captivates the observer's imagination.
In practice
This quote can be used in a nature photography exhibit to emphasize the beauty of floral designs.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways.
A lot of photographers walk around looking for something 'out there,' but I'm very much interested in what's 'in here.'
There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
Photography is essentially an act of recognition by street photographers, not an act of invention. Photographers might respond to an old man’s face, or an Arbus freak, or the way light hits a building—and then they move on. Whereas in all the other art forms, take William Blake, everything that came to that paper never existed before. It’s the idea of alchemy, of making something from nothing.
Little events, ordinary things, smashed and reconstituted. Suddenly, they become the bleached bones of a story.
We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race.
There is no way that writers can be tamed and rendered civilized or even cured. The only solution known to science is to provide the patient with an isolation room, where he can endure the acute stages in private and where food can be poked in to him with a stick.
Im not suggesting that the play is without fault; all of my plays are imperfect, Im rather happy to say-it leaves me something to do.
Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.
Tom Sleigh's poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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