Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Stephen KingRead
Bad writing is more than a matter of (expletive deleted) syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do to face the fact, let us say, that murderers sometimes help old ladies cross the street.
Interpretation
Bad writing stems from a refusal to portray real human actions and complexities.
In this quote, Stephen King emphasizes that bad writing is not just about poor grammar or observation but is often rooted in a writer's unwillingness to engage with the truth of human behavior. He suggests that good writing should reflect the complexities of human nature, including actions that might seem contradictory, such as a murderer performing a kind act like helping an old lady, thereby highlighting the nuances of morality and character.
In practice
During a writing workshop, to emphasize the importance of authenticity in storytelling.
Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought.
Hairstyles change, and skirt lengths, and slang, but high school administrations? Never.
Description begins in the writer’s imagination, but should finish in the reader’s.
That's the day's business. Thinking. Thinking and isolation, because it doesn't matter if you pass the time of day with someone or not; in the end, you're alone. He seemed to have put in as many miles in his brain as he had with his feet. The thoughts kept coming and there was no way to deny them.
Late last night and the night before, tommyknockers, tommyknockers knocking on my door. I wanna go out, don't know if I can 'cuz I'm so afraid of the tommyknocker man.
You must feel an affinity for what you are photographing. You must be part of it, and yet remain sufficiently detached to see it objectively. Like watching from the audience a play you already know by heart.
Let’s be realistic about this, the guitar can be the single most blasphemous device on the face of the earth. That’s why I like it . . . The disgusting stink of a too-loud electric guitar: now that’s my idea of a good time.
My raps are a decision, rabble rousing, spiritual, like gospel music. I don't want to dance. We have so many things to deal with, we need to talk straight up and down.
Beauty . . . cannot be interpreted. It is not an empirically verifiable fact; it is not a quantity.
The poet, therefore, is truly the thief of fire. He is responsible for humanity, for animals even; he will have to make sure his visions can be smelled, fondled, listened to; if what he brings back from beyond has form, he gives it form; if it has none, he gives it none. A language must be found…of the soul, for the soul and will include everything: perfumes, sounds colors, thought grappling with thought
Drawing takes time. A line has time in it
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