I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
Michelangelo AntonioniRead
Hollywood is like being nowhere and talking to nobody about nothing.
Interpretation
The quote critiques the emptiness and superficiality often found in Hollywood culture.
Michelangelo Antonioni's quote reflects a deep sense of disillusionment with the film industry, suggesting that the glamour and fame associated with Hollywood can lead to a profound sense of isolation and lack of meaningful communication. The metaphor 'nowhere' and 'nobody' highlights the idea that the environment often lacks substance and genuine connections, ultimately questioning the value of such a lifestyle.
In practice
During a film studies class, this quote can be referenced to illustrate the disconnect between celebrity culture and meaningful art.
I don't want what I am saying to sound like a prophecy or anything like an analysis of modern society... these are only feelings I have, and I am the least speculative man on earth.
All the characters in my films are fighting these problems, needing freedom, trying to find a way to cut themselves loose, but failing to rid themselves of conscience, a sense of sin, the whole bag of tricks.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
We live in a society that compels us to go on using these concepts, and we no longer know what they mean.
I began taking liberties a long time ago; now it is standard practice for most directors to ignore the rules.
I am neither a sociologist nor a politician. All I can do is imagine for myself what the future will be like.
My apartment is my stage, and my bedroom is my stage - they're just not stages you're allowed to see.
The actor is an athlete of the heart.
It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.
I really believed that anything at all was worth writing about if you cared about it enough, and that the best and only necessary justification for writing any particular story was that I cared about it.
You hand the baton on, and that's why roles like 'Medea' resonate for years and years, as each new actor comes to it.
It's weird when you see pieces of choreography that were done for you 15 or 20 years ago and now they are being done by another dance company.
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