Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Wole SoyinkaRead
No writer has a right to make that much money. Indeed, without diabolical assistance, no writer can.
Interpretation
This quote critiques the commercial aspect of writing, suggesting it often requires unethical means to achieve financial success.
Wole Soyinka's quote highlights the tension between creativity and capitalism, asserting that the literary world is not purely based on merit. It implies that substantial financial success for writers may involve compromises or influences that stray from genuine artistic integrity, posing questions about the morality of profiting immensely from literature.
In practice
This quote can be used in a discussion about the ethics of publishing in a workshop on creative writing.
Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.
I have a kind of magnetic attraction to situations of violence.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
My art will reflect not necessarily conscious politics but the unanalysed politics of my life.
I have to accept my role. I will never kill myself like Vincent Van Gogh. Nor will I paint beautiful water lilies like Monet. I can't do that. I'm in the idiot role of being a kiddie book person.
To labor in the arts for any reason other than love is prostitution.
When I finish a film, I want to forget it. I never like to repeat myself. Maybe, when I am dead, they will find certain consistencies in the style of my films, but I never want one film to look like another.
The story was writing itself and I was having a hard time keeping up with it.
I could hardly sit through 'Frozen.' There was an attempt to craft a moral message and to build the story around that, instead of building the story and letting the moral message emerge. It was the subjugation of art to propaganda, in my estimation.
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