Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Wole SoyinkaRead
No writer has a right to make that much money. Indeed, without diabolical assistance, no writer can.
Interpretation
This quote critiques the commercial aspect of writing, suggesting it often requires unethical means to achieve financial success.
Wole Soyinka's quote highlights the tension between creativity and capitalism, asserting that the literary world is not purely based on merit. It implies that substantial financial success for writers may involve compromises or influences that stray from genuine artistic integrity, posing questions about the morality of profiting immensely from literature.
In practice
This quote can be used in a discussion about the ethics of publishing in a workshop on creative writing.
Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.
I have a kind of magnetic attraction to situations of violence.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
The labor into which a heart has poured its whole love--where will it have its say, to excite and inspire, and when?
I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is.
Not only must you be an artist, must you be generous, and must you be able to see where you can help but you must also be aware. Aware of where your skills are welcomed.
Guilt is cancer. Guilt will confine you, torture you, destroy you as an artist. It's a black wall. It's a thief.
I tend to believe that film can try to save what still can be saved, in terms of our histories, our memories. Because a lot of things are disappearing very quickly, things are changing. We are living in very quick times, and we have a new generation who basically know nothing about events 30 years ago.
Poetry, above all is a series of intense moments Β its power is not in narrative. I'm not dealing with facts, I'm dealing_x000D_ with emotion.
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