Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Wole SoyinkaRead
No writer has a right to make that much money. Indeed, without diabolical assistance, no writer can.
Interpretation
This quote critiques the commercial aspect of writing, suggesting it often requires unethical means to achieve financial success.
Wole Soyinka's quote highlights the tension between creativity and capitalism, asserting that the literary world is not purely based on merit. It implies that substantial financial success for writers may involve compromises or influences that stray from genuine artistic integrity, posing questions about the morality of profiting immensely from literature.
In practice
This quote can be used in a discussion about the ethics of publishing in a workshop on creative writing.
Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
Trading and religion have always been aligned together in the history of the world, and especially on the African continent.
A war, with its attendant human suffering, must, when that evil is unavoidable, be made to fragment more than buildings: It must shatter the foundations of thought and re-create. Only in this way does every individual share in the cataclysm and understand the purpose of sacrifice.
Rwanda, which is one of the younger independent states in Africa, must be regarded as a model of how great human trauma can be transformed to commence true reconstruction of people. Human trauma can lead to stunted growth and mass withdrawal.
I have a kind of magnetic attraction to situations of violence.
Art is solace; art is vision, and when I pick up a literary work, I am a consumer of literature for its own sake.
Objects in pictures should so be arranged as by their very position to tell their own story.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Every time I paint a portrait I lose a friend.
I'm always trying to reach a transcendent point, a romantic point, but reach it in a really unconventional way, a really profane way. To get to that romantic, touching, heartbreaking place, but through a lot of acts of profanity.
Chess is no whit inferior to the violin, and we have a large number of professional violinists
When I am dancing, it feels like my prayer. It's like an offering. I offer my head back to the dance, I offer my shoulders back to the dance, my elbows, my hands, my spine, my knees, my feet, my whole self, my bones, my blood, my experience, my suffering... I offer it all back to the dance and I say: take it, do whatever you want with me. Release me.
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