An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
Interpretation
Duchamp questioned the value of traditional art versus newer forms, suggesting that innovation was necessary to overcome creative stagnation.
In this quote, Marcel Duchamp reflects on his turning point in artistic direction during a time when he felt restricted by conventional painting. He proposed that introducing non-traditional elements into art could revitalize creativity and lead to new forms of expression, ultimately challenging the very definition of what art can be.
In practice
Discussing the evolution of modern art in a lecture.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Some people wish above all to conform to the rules, I wish only to render what I can hear.
The fact is that it takes more than ingredients and technique to cook a good meal. A good cook puts something of himself into the preparation - he cooks with enjoyment, anticipation, spontaneity, and he is willing to experiment.
I wanted to use what I was, to be what I was born to be - not to have a 'career', but to be that straightforward obvious unmistakable animal, a writer.
I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination.
I've worked with the Los Angeles Zoo for 45 years, and we have this magnificent photographer, Tad Motoyama. He takes these wonderful, wonderful animal pictures. All through the years he's given me copies of these pictures. Well, I have all these gorgeous ones, so I said, 'Tad, I want to do a book with your picture on one side.'
The whole history of music has turned out to be something perfect. It's all come around. The music we did with Funkadelic and Parliament was the DNA for hip-hop.
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