I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Andy WarholRead
Art is what you can get away with.
Interpretation
Art is subjective and defined by what society accepts as art.
Andy Warhol's quote suggests that the definition of art is fluid and largely determined by cultural acceptance and individual interpretation. The idea underscores the notion that creativity can push boundaries and that unconventional forms of expression can challenge established norms of what constitutes art.
In practice
In a discussion about contemporary art, one might say, 'As Andy Warhol said, art is what you can get away with.'
I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
Being good in business is the most fascinating kind of art
I never wanted to be a painter; I wanted to be a tap dancer.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
If you let the plot be determined by what you feel is in the character's mind at that point, it may not turn out to be a very good play, but at least it will be a play where people are behaving in a kind of truthful way.
I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
To a poet, it's quite ruinous to have a poem distorted, out of shape, or squeezed, shall we say, into this tiny screen. But I'm not sure big digital companies are sensitive to the needs of poets.
I loved words. I love to sing them and speak them and even now, I must admit, I have fallen into the joy of writing them.
One wanted, she thought, dipping her brush deliberately, to be on a level with ordinary experience, to feel simply that's a chair, that's a table, and yet at the same time, It's a miracle, it's an ecstasy.
[O]ne can scarcely be frightened off writing what one wants to write for fear an obscure reviewer should patronise one on that account.
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