Living substance conquers the frenzy of destruction only in the ecstasy of procreation.
Walter BenjaminRead
The art of the critic in a nutshell: to coin slogans without betraying ideas. The slogans of an inadequate criticism peddle ideas to fashion.
Interpretation
Critics should create memorable phrases that reflect deep ideas without misrepresenting them.
Walter Benjamin highlights the responsibility of critics to encapsulate complex ideas into impactful slogans. He warns against superficial criticism that panders to trends rather than engaging with the true essence of the ideas presented, emphasizing the importance of integrity in criticism.
In practice
This quote could be used in a lecture about the importance of genuine art criticism.
Living substance conquers the frenzy of destruction only in the ecstasy of procreation.
The illiterate of the future will not be the man who cannot read the alphabet, but the one who cannot take a photograph.
If mythic violence is lawmaking, divine violence is law-destroying; if the former sets boundaries, the latter boundlessly destroys them; if mythic violence brings at once guilt and retribution, divine power only expiates; if the former threatens, the latter strikes; if the former is bloody, the latter is lethal without spilling blood
Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.
Nothing is poorer than a truth expressed as it was thought. Committed to writing in such cases, it is not even a bad photograph. Truth wants to be startled abruptly, at one stroke, from her self-immersion, whether by uproar, music or cries for help.
I am unpacking my library. Yes I am. The books are not yet on the shelves, not yet touched by the mild boredom of order.
We are no longer the same after hearing certain sounds, and this is more the case when we hear organized sounds, sounds organized by another human being: music.
Life is an art we are required to practice without preparation, a score that we play at sight even before we have mastered our instruments.
One of the great functions of art is to help us imagine what it is like to be not ourselves, what it is like to be someone or something else, what it is like to live in another skin, what it is like to live in another body, and in that sense to surpass ourselves, to go out beyond ourselves.
What I've learned how to do as I've gotten older is to take all of the information that I have, and push it aside, and try to distill each song into an emotional theme. The hardest thing that I've ever had to learn how to do in playing music is use the sound of my instrument to create an emotional effect.
I never have searched for a subject. They always just come along. They never come by way of decision-making. They just haunt me. I can't get rid of them. I did not invite them.
I film normal-life subjects in natural settings that some people would consider uncinematic. But what I want to show is nature itself, as the truth of life.
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