The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.
Interpretation
This quote emphasizes the struggles and hardships that artists face in their commitment to their craft.
Steven Pressfield highlights the sacrifices and emotional challenges that come with being an artist. By dedicating oneself to the art, one often encounters feelings of isolation and rejection, grappling with self-doubt and the potential for humiliation. The quote serves as a reminder of the tough realities behind the romanticized notion of being an artist, suggesting that genuine commitment to one's creative calling may involve enduring significant personal hardships.
In practice
In a motivational speech to aspiring artists about the realities of the creative journey.
Late at night have you experienced a vision of the person you might become, the work you could accomplish, the realized being you were meant to be? Are you a writer who doesn't write, a painter who doesn't paint, an entrepreneur who never starts a venture? Then you know what Resistance is.
It is one thing to study war and another to live the warrior's life.
The amateur believes he must first overcome his fear; then he can do his work. The professional knows that fear can never be overcome. He knows there is no such thing as a fearless warrior or a dread-free artist.
When we sit down day after day and keep grinding, something mysterious starts to happen... Unseen forces enlist in our cause; serendipity reinforces our purpose.
You know, Hitler wanted to be an artist. At eighteen he took his inheritance, seven hundred kronen, and moved to Vienna to live and study... Ever see one of his paintings? Neither have I. Resistance beat him. Call it overstatement but I'll say it anyway: it was easier for Hitler to start World War II than it was for him to face a blank square of canvas.
It’s better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.
The Arts are man's most useless ... and essential ... activity.
When I was in high school, I felt totally alienated from the world, but I loved movies. They were my escape, but coming from a disadvantaged community, I never knew that filmmaking was an option for me. A program like School of Doc would have been a game-changer.
The Image is more than an idea. It is a vortex or cluster of fused ideas and is endowed with energy.
If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.
My only worry is the painting I'm doing. Nothing else.
I think drag is universal, no matter who does it. I mean, yeah, I am homosexual, but I think everybody likes to toy with their image. I love those guys. I love Milton Berle and Flip Wilson and all those people.
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