Pixar films are not realistic. They are believable for the worlds we are creating.
John LasseterRead
If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.
Interpretation
The essence of storytelling is more important than the visual elements of animation.
John Lasseter emphasizes the fundamental importance of storytelling in entertainment, particularly in the context of animated films. He suggests that while animation can be visually stunning, it is the story itself that captures and holds the audience's attention, indicating that great animation cannot compensate for a weak narrative. This highlights the significance of a compelling story in engaging and entertaining viewers, especially in family-oriented content.
In practice
This quote can be used in a discussion about the importance of story in filmmaking.
Pixar films are not realistic. They are believable for the worlds we are creating.
Everything I do and everything Pixar does is based on a simple rule: Quality is the best business plan, period.
You know, going to the movies has always been recession-proof. It's fairly cheap entertainment; it's classic escapism.
At Pixar, good ideas may be cut from a film, but they are never forgotten.
Pixar is not about computers, it's about people.
I worry about kids today not having time to build a tree house or ride a bike or go fishing. I worry that life is getting faster and faster.
I think by shattering it we can create a new form, a new way to look at what is valuable β how we decide what is valuable.
The mad is either insane or he is composing verses.
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
But no artist, I now realize, can be satisfied with art alone. There is a natural craving for recognition which cannot be gain-said.
I came to architecture from building. Because my father was a builder, everybody was - and is - a builder in my family.
It is entirely possible to create something totally artificial within the realms of rock and roll.
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