Pixar films are not realistic. They are believable for the worlds we are creating.
John LasseterRead
I worry about kids today not having time to build a tree house or ride a bike or go fishing. I worry that life is getting faster and faster.
Interpretation
The quote expresses concern about children missing out on traditional childhood experiences due to the fast pace of modern life.
John Lasseter's quote highlights a growing concern that technological advancements and the increasing speed of life are depriving children of simple yet valuable experiences such as building tree houses, riding bikes, or fishing. He implies that these activities are essential for creativity, play, and forming lasting memories, which may become overshadowed by a focus on productivity and digital engagement.
In practice
During a speech on childhood development, one might cite this quote to emphasize the importance of play for kids.
Pixar films are not realistic. They are believable for the worlds we are creating.
Everything I do and everything Pixar does is based on a simple rule: Quality is the best business plan, period.
You know, going to the movies has always been recession-proof. It's fairly cheap entertainment; it's classic escapism.
At Pixar, good ideas may be cut from a film, but they are never forgotten.
If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.
Pixar is not about computers, it's about people.
Those of us who can remember our childhoods will recall how ardently we relished the moment of the bedtime story, when our mother or father would sit down beside us in the semi-dark and read from a book of fairy tales.
When the others grew tired and went home and there was no one else to play with I used to play my own Test matches on the porch of our house, using a broom handle or a stick as the bat and a marble as the ball. I would arrange the pot plants to represent fielders and try to find the gaps as I played my shots.
I was spoiled in a very strange way as a child, because everybody told me, from the moment I was able to hear, that I was absolutely marvelous, and I never heard a discouraging word for years, you see. I didn't know what was ahead of me.
Every child can remember laying his head in the grass, staring into the infinitesimal forest and seeing it grow populous with fairy armies.
When I was in fact a child, six and seven and eight years old, I was utterly baffled by the enthusiasm with which my cousin Brenda, a year and a half younger, accepted her mother's definition of her as someone who needed to go to bed at six-thirty and finish every bite of three vegetables, one of them yellow, with every meal.
My childhood in Corfu shaped my life. If I had the craft of Merlin, I would give every child the gift of my childhood.
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