Solitude lies at the lowest depth of the human condition. Man is the only being who feels himself to be alone and the only one who is searching for the Other.
Octavio PazRead
Art for Duchamp, all the arts, obey the same law: meta-irony is inherent in their very spirit. It is an irony that destroys its own negation and, hence, returns in the affirmative.
Interpretation
The essence of art is rooted in meta-irony, which paradoxically validates itself while undermining its own contradictions.
Octavio Paz suggests that art embodies a unique form of irony that not only critiques and questions itself but ultimately affirms its own existence and significance. This paradoxical nature of art reflects a deeper complexity where contradictions coexist, leading to a richer understanding of artistic expression and its value in culture.
In practice
This quote could serve as a profound addition to an art critique, emphasizing the complexity of artistic intent.
Solitude lies at the lowest depth of the human condition. Man is the only being who feels himself to be alone and the only one who is searching for the Other.
By suppressing differences and peculiarities, by eliminating different civilizations and cultures, progress weakens life and favors death
The North American system only wants to consider the positive aspects of reality. Men and women are subjected from childhood to an inexorable process of adaptation certain principles, contained in brief formulas are endlessly repeated by the Press, the radio, the churches, and the schools, and by those kindly, sinister beings, the North American mothers and wives. A person imprisoned by these schemes is like a plant in a flowerpot too small for it he cannot grow or mature.
Poetry is not a genre in harmony with the modern world; its innermost nature is hostile or indifferent to the dogmas of modern times, progress and the cult of the future.
If we are a metaphor of the universe, the human couple is the metaphor par excellence, the point of intersection of all forces and the seed of all forms. The couple is time recaptured, the return to the time before time.
Man, even man debased by the neocapitalism and pseudosocialism of our time, is a marvelous being because he sometimes speaks. Language is the mark, the sign, not of his fall but of his original innocence. Through the Word we may regain the lost kingdom and recover powers we possessed in the far-distant past.
I think you too recognize the important relationship between philosophy and art, and it is just this relationship that most painters deny. The great masters do grasp it, unconsciously; but I believe that a painter's conscious spiritual knowledge will have a much greater influence upon his art, and that it would be due only to a weakness in him, or lack of genius, should this spiritual knowledge be harmful to his art.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
People find it hard to get their heads around nominating a computer-generated character, but every time you see Gollum on the screen, that's me who is acting up there - even if it is behind a mass of pixels - and it's my voice you hear.
Gotta head full of ideas that are driving me insane.
I'm afraid that the act of writing is so scary and anxiety-filled that I never laugh at all. In fact, when people tell me that such and such a scene or story is comical, I tend to gape. I did not intend comedy - ever, as far as I know. It's probably all a mistake. I am essentially a lugubrious writer. Ha ha!
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