Music has charms to sooth a savage breast, to soften rocks, or bend a knotted oak.
William CongreveRead
There is in true beauty, as in courage, something which narrow souls cannot dare to admire.
Interpretation
True beauty and courage are qualities that some people cannot appreciate due to their limited perspective.
William Congreve's quote suggests that genuine beauty and true courage possess a profound quality that elevates them beyond superficial appreciation. It implies that individuals with a narrow or superficial outlook may be unable to recognize or admire these deeper virtues, thus highlighting the importance of an open and generous spirit in appreciating the full richness of life.
In practice
This quote could be used in a speech about the importance of being open-minded in art appreciation.
Music has charms to sooth a savage breast, to soften rocks, or bend a knotted oak.
She likes herself, yet others hates, For that which in herself she prizes; And while she laughs at them, forgets She is the thing that she despises.
Women are like tricks by sleight of hand, Which, to admire, we should not understand
But say what you will, 'tis better to be left than never to have been loved. To pass our youth in dull indifference, to refuse the sweets of life because they once must leave us, is as preposterous as to wish to have been born old, because we one day must be old.
Grief walks upon the heels of pleasure; married in haste, we repent at leisure.
Uncertainty and expectation are the joys of life. Security is an insipid thing.
Design is the fundamental soul of a man-made creation that ends up expressing itself in successive outer layers of the product or service. The iMac is not just the color or translucence or the shape of the shell. The essence of the iMac is to be the finest possible consumer computer in which each element plays together.
The art of Frida Kahlo is a ribbon around a bomb.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
When they say 'jazz,' I'm thinking of a word called 'the creative process.' It intersects every vein and tributary, avenue, path, that everyone's living. It crosses through there, but it's been contained.
For me, that emotional payoff is what itβs all about. I want you to laugh or cry when you read a story...or do both at the same time. I want your heart, in other words. If you want to learn something, go to school.
In the early days, Porter Wagoner would not exactly scold me, but he's say, 'You're writing too many damn verses. You're makin' these songs too damn long.' And I'd say, 'Yeah, but I'm tellin' a story. I have a story to tell.' And he'd say, 'Well, you're not going to get it on the radio.' If I start writing a song, I'm writing it for a reason. People would say that I had to have two verses, and a chorus, and a bridge. I tried to learn that formula.
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