Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
The two ideas are antithetical. Insofar as photography is (or should be) about the world, the photographer counts for little, but insofar as it is the instrument of intrepid, questioning subjectivity, the photographer is all.
Interpretation
This quote emphasizes the contrasting roles of the photographer as both a mere recorder of reality and a subjective interpreter of it.
Susan Sontag highlights the dual nature of photography: on one hand, it can simply depict the world objectively, where the photographer's presence is nearly irrelevant. On the other hand, photography can serve as a tool for personal expression, where the individual perspective of the photographer becomes essential and influential, reflecting their unique vision and insights.
In practice
During a photography exhibition, I might quote Sontag to discuss the role of the photographer.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
I am working, but when one has ceased to do seascape, it is the devil afterward - very difficult; it changes at every instant, and here the weather varies several times in the same day.
The one happiness is to shut one's door upon a little room, with a table before one, and to create; to create life in that isolation from life.
I could stifle my voice, or strip it. I know that I could, because we can do anything we put our minds to. I know that I could, but it feels very unnatural for me to strip my prose like that, in part because place is so important to me.
You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.
That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
Not for a moment, beautiful aged Walt Whitman, have I failed to see your beard full of butterflies.
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