Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
The two ideas are antithetical. Insofar as photography is (or should be) about the world, the photographer counts for little, but insofar as it is the instrument of intrepid, questioning subjectivity, the photographer is all.
Interpretation
This quote emphasizes the contrasting roles of the photographer as both a mere recorder of reality and a subjective interpreter of it.
Susan Sontag highlights the dual nature of photography: on one hand, it can simply depict the world objectively, where the photographer's presence is nearly irrelevant. On the other hand, photography can serve as a tool for personal expression, where the individual perspective of the photographer becomes essential and influential, reflecting their unique vision and insights.
In practice
During a photography exhibition, I might quote Sontag to discuss the role of the photographer.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.
Movies are extremely imitative of one another. Whatever works, people will try to do it.
I was kind of thrown into - I didn't expect to do this for a living, being a recording artist. I was just playing music for the fun of it and writing songs. That was kind of my escape, you know, from the humdrum of the world.
Poems come from ordinary experiences and objects, I think. Out of memory - a dress I lent my daughter on her way back to college; a newspaper photograph of war; a breast self-exam; the tooth fairy; Calvinist parents who beat up their children; a gesture of love; seeing oneself naked over age 50 in a set of bright hotel bathroom mirrors.
When I was young, I was so interested in baseball that my family was afraid I'd waste my life and be a pitcher. Later they were afraid I'd waste my life and be a poet. They were right.
Poetry takes courage because you have to face things and you try to articulate how you feel.
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