Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Susan SontagRead
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Interpretation
Photography connects the present moment with the history and experiences that precede it.
Susan Sontag suggests that the act of photography is driven by a deep passion that transcends mere capturing of the present. This passion is intertwined with an awareness of the past, indicating that every photograph reflects not just a moment in time but also the broader historical and emotional contexts that inform that moment.
In practice
During a photography workshop, one might say, 'Remember, each shot you take reflects not only this moment but carries the weight of the history behind it.'
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Conventions vs. spontaneity. This is a dialectical choice, it depends on the assessment you make of your own times. If you judge that your own time is ridden with empty insincere formalities, you plump for spontaneity, for indecorous behavior even...Much of morality is the task of compensating for one's age. One assumes unfashionable virtues, in an indecorous time. In a time hollowed out by decorum, one must school oneself in spontaneity.
I love watching faces as they grow up. It's the difference between so many strong British actresses compared to what America does to women. I like a face that hasn't been tampered with.
Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.
That part of Rostrevor which overlooks Carlingford Lough is my idea of Narnia.
There is no sound more feminine than a woman in a taffeta dress.
Men admire the man who can organize their wishes and thoughts in stone and wood and steel and brass.
Growing up, I never gave a thought to being a writer. All I ever wanted to be was a traveler and explorer. Science-fiction allowed me to go places that were otherwise inaccessible, which is why I started reading it.
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