Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Susan SontagRead
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Interpretation
Photography connects the present moment with the history and experiences that precede it.
Susan Sontag suggests that the act of photography is driven by a deep passion that transcends mere capturing of the present. This passion is intertwined with an awareness of the past, indicating that every photograph reflects not just a moment in time but also the broader historical and emotional contexts that inform that moment.
In practice
During a photography workshop, one might say, 'Remember, each shot you take reflects not only this moment but carries the weight of the history behind it.'
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Conventions vs. spontaneity. This is a dialectical choice, it depends on the assessment you make of your own times. If you judge that your own time is ridden with empty insincere formalities, you plump for spontaneity, for indecorous behavior even...Much of morality is the task of compensating for one's age. One assumes unfashionable virtues, in an indecorous time. In a time hollowed out by decorum, one must school oneself in spontaneity.
There's obviously nothing wrong with selling your art - only an idiot with a trust fund would tell you otherwise. But it's confusing to know how far you should take it.
Go play with the towns you have built of blocks, The towns where you would have bound me! I sleep in my earth like a tired fox, And my bufdfalo have found me.
Now, learning how to make a movie is something you can figure out in about an afternoon. The physics of it, the marks, the lights, etc. What's hard to do is to suspend your own feelings of self consciousness. The natural actors can do that; they can become part of a characterization and learn how to maintain it.
I don't write for children. I write and someone says it's for children.
There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
I love to see actors' work. I love to surf channels late at night and accidentally run into movies I hadn't seen before. It makes me very proud of the profession.
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