Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.
Interpretation
The quote suggests that art reflects the creator's identity, making it challenging to separate the artist from their work.
In this reflection on art, Joseph Brodsky emphasizes the notion that every artistic creation, whether a poem or a structure, embodies the author's inner self. Distinguishing between the persona of the author and the characters or themes within their art often proves futile, as the lyrical hero in poetry, for instance, serves as a manifestation of the author's own experiences and emotions, thus revealing the interconnectedness of creator and creation.
In practice
This quote can be shared during an art appreciation class to emphasize the relationship between artists and their work.
Basically, it's hard for me to assess myself, a hardship not only prompted by the immodesty of the enterprise, but because one is not capable of assessing himself, let alone his work. However, if I were to summarize, my main interest is the nature of time. That's what interests me most of all. What time can do to a man.
One always pulls the trigger out of self-interest and quotes history to avoid responsibility or pangs of conscience.
On the whole, infinity is a fairly palpable aspect of this business of publishing, if only because it extends a dead author's existence beyond the limits he envisioned, or provides a living author with a future he cannot measure. In other words, this business deals with the future which we all prefer to regard as unending.
The invention of ethical and political doctrines, which blossomed into our own social sciences, is a product of times when things appeared manageable. The same goes for the criticism of those doctrines, though as a voice from the past, this criticism proved prophetic.
Try not to pay attention to those who will try to make life miserable for you. There will be a lot of those - in the official capacity as well as the self-appointed.
To put it in plain language, Russia is that country where the name of a writer appears not on the cover of his book, but on the door of his prison cell.
The goddam movies. They can ruin you. I'm not kidding
Pixar films are not realistic. They are believable for the worlds we are creating.
I think the way kids create is so inspiring. They're drawing a picture? They love the picture they drew; they're not tortured about it.
My greatest fear is feeling like a professional novelist. Somebody who creates characters, who sits down and has pieces of paper taped to the wall - what's going to happen in this scene, or this act. What I like is for it to be a much more scary, sloppy reflection of who I am.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
As for me, Poetry takes the place of love, because it is enamored of itself, and because this self-lust has a delightful dying fall in my soul.
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