The combination of human skills with technology will always be at the root of any solution to the future of making clothes.
Issey MiyakeRead
I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
Interpretation
Issey Miyake reflects on his perception of fashion as a European domain rather than a Japanese one.
In this quote, Issey Miyake expresses his initial belief that fashion was not a suitable career for him due to his Japanese identity. He contrasts the cultural perception of clothing as a primarily European pursuit, highlighting his struggle to reconcile his cultural background with his passion for fashion, ultimately showcasing the intersection of identity and creativity in the art of design.
In practice
In a discussion about cultural influences in fashion, one might quote Issey Miyake to highlight the intersection of identity and creativity.
The combination of human skills with technology will always be at the root of any solution to the future of making clothes.
A-POC respects that there is a fine balance between the value of the human touch, which can be called artisanal, and the abilities of technology. I like to think of it as poesy and technology.
My touchstone started out being - and is still - exploring the ways by which to make clothing from a single piece of cloth.
In Paris, we call the people who make clothing 'couturiers' - they develop new clothing items - but actually, the work of designing is to make something that works in real life.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh
I have always avoided photographing in the studio. A woman does not spend her life sitting or standing in front of a seamless white paper background. Although it makes my life more complicated, I prefer to take my camera out into the street... and places that are out of bounds for photographers have always had a special attraction for me.
One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's.
Perhaps one of the most difficult things for us to do is to choose a notable and joyous dress for men. There would be more joy in life if we were to accustom ourselves to use all the beautiful colours we can in fashioning our own clothes.
I don't sing operatically, and I sing very intimately, but I still do the scales, and I think in terms of intonation and making sure that I'm hitting the notes right on the head... and having it appear quite effortless.
What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
The photographer's problem is to see clearly the limitations and at the same time the potential qualities of his medium, for it is precisely here that honesty no less than intensity of vision is the pre-requisite of a living expression. The fullest realization of this is accomplished without tricks of process or manipulation, through the use of straight photographic methods.
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