I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
Issey MiyakeRead
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh
Interpretation
Issey Miyake emphasizes the relationship between clothing and movement, suggesting that fashion should enhance physical expression.
This quote reflects Issey Miyake's innovative approach to fashion design, where he prioritizes the fluidity and dynamism of clothing in relation to the movement of the body. He believes that clothes should not only be aesthetically pleasing but also functional and capable of responding to the actions and emotions of the wearer, thereby becoming an integral part of their experience of joy and freedom.
In practice
This quote could inspire a fashion presentation highlighting the interplay between garments and physical expression.
I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
The combination of human skills with technology will always be at the root of any solution to the future of making clothes.
A-POC respects that there is a fine balance between the value of the human touch, which can be called artisanal, and the abilities of technology. I like to think of it as poesy and technology.
My touchstone started out being - and is still - exploring the ways by which to make clothing from a single piece of cloth.
In Paris, we call the people who make clothing 'couturiers' - they develop new clothing items - but actually, the work of designing is to make something that works in real life.
I am apparently gentle, unstable, and full of pretenses. I will die a poet killed by the nonpoets, will renounce no dream, resign myself to no ugliness, accept nothing of the world but the one I made myself. I wrote, lived, loved like Don Quixote, and on the day of my death I will say: ‘Excuse me, it was all a dream,’ and by that time I may have found one who will say: ‘Not at all, it was true, absolutely true.’
Acting, to me, is about the incredible adventure of examining the landscape of human heart and soul. That's basically what we do.
But art is not simply works of art; it is the spirit that knows Beauty, that has music in its soul and the color of sunsets in its headkerchiefs; that can dance on a flaming world and make the world dance, too.
I started making houses for ants because I thought they needed somewhere to live. Then I made them shoes and hats. It was a fantasy world I escaped to where my dyslexia didn't hold me back and my teachers couldn't criticize me. That's how my career as a micro-sculptor began.
Nothing in art should seem accidental, not even movement
We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
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