I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
Issey MiyakeRead
In Paris, we call the people who make clothing 'couturiers' - they develop new clothing items - but actually, the work of designing is to make something that works in real life.
Interpretation
The essence of designing clothing lies in creating functional and practical pieces for everyday life.
Issey Miyake highlights the important distinction between being a couturier and a true designer. While couturiers craft fashionable clothing, the core of design is to ensure that these creations serve a purpose and function effectively in the real world. This reflects the broader principle that functionality should always accompany creativity in any form of art.
In practice
In a fashion seminar discussing the role of functionality in design.
I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
The combination of human skills with technology will always be at the root of any solution to the future of making clothes.
A-POC respects that there is a fine balance between the value of the human touch, which can be called artisanal, and the abilities of technology. I like to think of it as poesy and technology.
My touchstone started out being - and is still - exploring the ways by which to make clothing from a single piece of cloth.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh
A modern building should derive its architectural significance solely from the vigour and consequence of its own organic proportions. It must be true to itself, logically transparent, and virginal of lies or trivialities.
Or bid the soul of Orpheus sing Such notes as, warbled to the string, Drew iron tears down Pluto's cheek.
I want to allow others to reveal and celebrate aspects of themselves that are usually hidden. My camera is a witness. It holds a light up for my subjects to help them feel their own essence, and gives them the courage to collaborate in the recording of these revelations.
There is only one valuable thing in art: the thing you cannot explain.
You can't read to yourself. It's your inner ear that hears a poem. If you hear a poet read his own work, it becomes very exciting. The melody is a great part of it.
Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands.
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