I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
Issey MiyakeRead
My touchstone started out being - and is still - exploring the ways by which to make clothing from a single piece of cloth.
Interpretation
Issey Miyake emphasizes the innovative approach of creating clothing from one piece of cloth.
This quote reflects Issey Miyake's dedication to exploring the artistry and craftsmanship in fashion design, specifically through the technique of creating garments from a single piece of fabric. It highlights his creative process and his commitment to finding new ways to express fashion, emphasizing simplicity and innovation in design.
In practice
In a fashion seminar discussing minimalist design principles.
I never thought fashion was the job for me, because I'm Japanese. Clothes! That was a European, society thing.
The combination of human skills with technology will always be at the root of any solution to the future of making clothes.
A-POC respects that there is a fine balance between the value of the human touch, which can be called artisanal, and the abilities of technology. I like to think of it as poesy and technology.
In Paris, we call the people who make clothing 'couturiers' - they develop new clothing items - but actually, the work of designing is to make something that works in real life.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh
My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so: I am a storyteller.
Television shows are not like cars or operating systems, and they are not best made by engineers or coders in the same assembly line manner as consumer products which need to be of uniform size, shape, and quality.
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.
I believe that perfection handicaps cinema.
I was pirouette and flourish, I was filigree and flame. How could I count my blessings when I didn't know their names?
By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You're sort of a predator, an invader of people.
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