Everything passes, and what remains of former times, what remains of life, is the spiritual. In everything we do, the claim of the Absolute is unchanging.
Paul KleeRead
All art is a memory of age-old things, dark things, whose fragments live on in the artist.
Interpretation
Art reflects deep, often dark aspects of the human experience and carries memories from the past.
In this quote, Paul Klee expresses the idea that all artistic creation is rooted in the memories of past experiences, particularly those that are complex or dark in nature. These memories are ingrained within the artist and inform their work, allowing fragments of these experiences to be transferred into their art, thus connecting the past with the present through creative expression.
In practice
During an art exhibition, an artist could use this quote to explain the inspiration behind their works.
Everything passes, and what remains of former times, what remains of life, is the spiritual. In everything we do, the claim of the Absolute is unchanging.
The painter should not paint what he sees, but what will be seen.
To emphasize only the beautiful seems to me to be like a mathematical system that only concerns itself with positive numbers.
You adapt yourself to the contents of the paintbox.
It is a great difficulty and a great necessity to have to start with the smallest.
The more horrible this world (as today, for instance), the more abstract our art, whereas a happy world brings forth an art of the here and now.
The institutions of human society treat us as parts of a machine. They assign us ranks and place considerable pressure upon us to fulfill defined roles. We need something to help us restore our lost and distorted humanity. Each of us has feelings that have been suppressed and have built up inside. There is a voiceless cry resting in the depths of our souls, waiting for expression. Art gives the soul's feelings voice and form.
It was a sort of ferocious, quiet beauty, the sort that wouldn't let you admire it. The sort of beauty that always hurt.
I think the only thing filmmakers can do is try to make good movies and make them as long as they allow us to keep making them. But at the end of the day, it is a business, and if audiences don't care, there's nothing we can do. It'll just go away, I guess.
It was never about having a Mohican haircut or wearing a ripped T-shirt. It was all about destruction, and the creative potential within that.
It's hard to be the one that stands out when, you know, in a ballet company, you're trying to create unison and uniform when you're in a corps de ballet.
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
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