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The art and science of memory is about developing the capacity to quickly create images that link disparate ideas. Creativity is the ability to form similar connections between disparate images and to create something new and hurl it into the future so it becomes a poem, or a building, or a dance, or a novel. Creativity is, in a sense, future memory.
Joshua Foer
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Interpretation

What this quote means

Memory and creativity are interconnected, allowing us to form unique connections that lead to new ideas.

In this quote, Joshua Foer emphasizes the relationship between memory and creativity, suggesting that the ability to remember and connect various concepts can lead to innovative creations. He likens creativity to 'future memory', indicating that the images we generate today can inspire future artistic works, whether they be poems, buildings, dances, or novels, thus shaping our future through our imaginative capabilities.

Themes

MemoryCreativityImaginationArtInnovationConnections

In practice

Example use cases

Using this quote in a speech about the importance of creative thinking in education.

More from Joshua Foer

We're all just a bundle of habits shaped by our memories. And to the extent that we control our lives, we do so by gradually altering those habits, which is to say the networks of our memory. No lasting joke, or invention, or insight, or work of art was ever produced by an external memory. Not yet, at least.
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Sequencing - the careful striptease by which you reveal information to the reader - matters in an article, but it is absolutely essential to a book.
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Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next - and disappear.
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I met with amnesiacs and savants, educators and scientists, to try to understand what memory is, why it works, why it sometimes doesn't, and what its potential might be.
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If you were a medieval scholar reading a book, you knew that there was a reasonable likelihood you'd never see that particular text again, and so a high premium was placed on remembering what you read. You couldn't just pull a book off the shelf to consult it for a quote or an idea.
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There are two possibilities: Either the kiss is a human universal, one of the constellation of innate traits, including language and laughter, that unites us as a species, or it is an invention, like fire or wearing clothes, an idea so good that it was bound to metastasize across the globe.
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