The ear disapproves but tolerates certain musical pieces; transfer them into the domain of our nose, and we will be forced to flee.
Jean CocteauRead
Asking an artist to talk about his work is like asking a plant to discuss horticulture.
Interpretation
Artists often express their work in ways that are beyond verbal explanation, similar to how a plant cannot articulate its own growth and care.
This quote highlights the intrinsic challenge of articulating the creative process and emotional landscape of art. Just as a plant is rooted in its nature and does not possess the capacity or need to discuss horticulture, artists convey their experiences and emotions through their art rather than in words, making verbal explanations sometimes insufficient or even inappropriate.
In practice
A speaker discussing the role of art in emotional expression during a conference.
The ear disapproves but tolerates certain musical pieces; transfer them into the domain of our nose, and we will be forced to flee.
One must be a living man and a posthumous artist.
All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.
Nothing ever gets anywhere. The earth keeps turning round and gets nowhere. The moment is the only thing that counts.
Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don't like - then cultivate it. That's the only part of your work that's individual and worth keeping.
Watch yourself all your life in a mirror and you'll see Death at work like bees in a glass hive.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
I want to see the thirst inside the syllables I want to touch the fire in the sound: I want to feel the darkness of the cry. I want words as rough as virgin rocks.β - Verb.
The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I enjoy them.
My next book - each one while I'm working on it - dances in my mind and thrills me at every turn. If it didn't, why would I write it?
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
I prefer the old masters, by which I mean John Ford, John Ford, and John Ford.
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