Create your own visual style... let it be unique for yourself and yet identifiable for others.
Orson WellesRead
I prefer the old masters, by which I mean John Ford, John Ford, and John Ford.
Interpretation
What this quote means
Orson Welles expresses his admiration for the filmmaker John Ford, emphasizing his influence and expertise.
In this quote, Orson Welles highlights his preference for the storytelling and cinematic techniques of John Ford, a celebrated American director. By repeating Ford's name, Welles underscores the profound impact Ford had on his own work and the film industry, suggesting that true mastery comes from recognizing and valuing the greats who preceded us.
Themes
Orson WellesJohn FordMastersCinemaFilmmaking
In practice
Example use cases
In a discussion about filmmaking, one might quote Welles to emphasize the importance of cinematic influences.
More from Orson Welles
All quotes →When people accept breaking the law as normal, something happens to the whole society.
Orson WellesRead
A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.
Orson WellesRead
I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
Orson WellesRead
Old age is the only disease you dont want to be cured of.
Orson WellesRead
Movie directing is a perfect refuge for the mediocre.
Orson WellesRead
Similar quotes
We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?
Paul Thomas AndersonRead
The urge to make art or contemplate philosophy does not go away when you are sick. Those urges just become transfigured by illness.
John GreenRead
I never consciously place symbolism in my writing. That would be a self-conscious exercise and self-consciousness is defeating to any creative act. Better to get the subconscious to do the work for you, and get out of the way. The best symbolism is always unsuspected and natural. During a lifetime, one saves up information which collects itself around centers in the mind; these automatically become symbols on a subliminal level and need only be summoned in the heat of writing.
Ray BradburyRead
[On creating] And you get that little endorphin buzz, it's great. Why do you think Einstein looked like that? I don't think he was going "You know this is some dynamite weed! It's all relative you know."
Robin WilliamsRead
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
Edward HirschRead
I have to say, I feel a weird sort of calling in filmmaking that I didn't feel with other things. I feel like there are things in life you want to do, and then things you are called to do, and hopefully you can allow yourself to want to do whatever you're called to do.
James GunnRead