It's absolutely crucial to maintain my life as a poet.
Edward HirschRead
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
Interpretation
The quote emphasizes the importance of intentional creativity and the relationship between reading and writing.
Edward Hirsch reflects on his realization that writing poetry is an art form that requires dedication and craft. He acknowledges that becoming an artist involves more than just documenting thoughts or feelings; it necessitates a commitment to practice, study, and a deep engagement with literature, which enriches one's own artistic expression.
In practice
In a workshop on poetry, I shared this quote to inspire budding poets about the importance of practice.
It's absolutely crucial to maintain my life as a poet.
The commitment to working at poetry is important because a poet is a maker, and a poem is a made thing. We have to honor our feelings by working to transform them into something meaningful and lasting.
As far as I'm concerned, freedom is the most important thing to creativity. You should feel free to write in whatever way, whatever language, feels comfortable to you.
And every year there is a brief, startling moment _x000D_ When we pause in the middle of a long walk home and _x000D_ Suddenly feel something invisible and weightless _x000D_ Touching our shoulders, sweeping down from the air: _x000D_ It is the autumn wind pressing against our bodies; _x000D_ It is the changing light of fall falling on us.
When poetry separates from song, then the words have to carry all the rhythm themselves; they have to do all the work. They can't rely on the singing voice.
The idea of a poem as a message in a bottle means that it's sent out towards some future reader, and the reader who opens that bottle becomes the addressee of the literary text.
No movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad.
Media gatekeepers - editors, publishers, film studios and the like - need to begin investing in talent behind the scenes, developing and resourcing marginalized voices to tell their own stories. At the end of the day, it's about the story and what will enable the audience to truly see, understand, and know the life and times of the subject.
Why did I write? whose sin to me unknown_x000D_ _x000D_ Dipt me in ink, my parents', or my own?_x000D_ _x000D_ As yet a child, nor yet a fool to fame,_x000D_ _x000D_ I lisp'd in numbers, for the numbers came.
There is a majesty in simplicity.
The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.
In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others.
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